Tag: sea glass hunting

“Meet the NASGA Members” – Out of the Blue Sea Glass Jewelry, Lisl Armstrong

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The North American Sea Glass Association (NASGA) has been working towards integrating NASGA‘s online presence, including the NASGA website, NASGA’s Facebook pages, the NASGA‘s NING social networking site, the Shorelines Newsletter, as well as our blog, to strengthen NASGA’s mission and increase NASGA’s presence within the sea glass community.

Each member of NASGA will have the opportunity to share their involvement with NASGA and the NASGA Mission, and “introduce” themselves as members of the North American Sea Glass Association. We’re calling this the “Meet the NASGA Members” blog series. We’re excited to introduce our first “Meet the NASGA Member”, Lisl Armstrong from Out of the Blue Sea Glass Jewelry, Florida.

Hello, Lisl!   Thank you for being the first member in our “Meet the NASGA Member” series.   Since you’re on the NASGA Communications Committee, and helped with the inception of this new series, and the fact that you’ve been involved with NASGA since 2007, we thought you’d be the perfect choice!  We look forward to reading how you started your love of sea glass.

NASGA:  How long have you been a member of NASGA? 

Lisl:  I have been a member of the NASGA since 2007

NASGA:  Can you share your “personal sea glass story” (how and when you became interested in sea glass)?  

Red sea glass collected in Puerto Rico
Red sea glass collected in Puerto Rico

Lisl:  I was living in New York City in 1987 and needed a break from the cold. My grandmother who was from Puerto Rico gave me a two week vacation trip to the island as a gift. While walking on a beach in Rincon during a giant swell the surf literally threw a piece of sea glass at me. I watched it fly through the air and hit the hard wet sand. It was a cobalt blue bottle rim. The experience was otherworldly. Everything around me slowed down and there was a silence and I heard an enchanting, chiming gong like sound in my mind. A few days later the swell died down leaving behind piles of sea glass and seashells. I became addicted to collecting sea glass and my return ticket back to the states expired. I lived in Puerto Rico for the next fifteen years all because of sea glass!

NASGA:  Please tell us about your particular craft and when you formed your business or began practicing your skill.  

Lisl:  I needed to find a way to support my beach combing habit. I started making jewelry within weeks of finding my first piece of sea glass and learned as I went along. I use to sell my jewelry from a portable card table in front of a small hotel. I quickly became addicted to making sea glass jewelry. It is amazing to me that the sea has taken in something manmade that was meant to be forgotten and then returns it to us as a gem like treasure.

NASGA:  Are you also an avid sea glass collector (or do you solely enjoy working on your craft or skill), and are you partial to a certain type or color of sea glass?  

Collected shells and pottery from Florida's Gulf Coast
Collected shells and pottery from Florida’s Gulf Coast

Lisl:  Yes, I am still a collector. I live in Florida now and our beaches do not have a lot of sea glass. I go beach combing just about every day though and have found a few nice pieces here. I also love to collect seashells, ancient fossilized sharks teeth, driftwood etc. My husband and I travel the world looking for sea glass. I am fanatical about aquamarine and turquoise sea glass.

 

NASGA:  If you are a collector, can you tell us about your collection and whether it may be difficult to part with some of your creations or incorporate your favorite pieces into projects? 

Lisl:  My collection consists of sea glass that we collected ourselves in Puerto Rico, England, Italy, Costa Rica and in the USA. I do not use sea glass that would be hard for me to part with in jewelry that I sell. Sea marbles are very special to me. After living several years in Puerto Rico I found only a few. When I met my husband we would go beach combing together and he would find sea marbles all of the time. I guess my eye does not see the round shapes. I have a special collection of sea marbles that I will never part with because they mean so much to me.

NASGA:  How has your craft evolved over time (how has experience helped you to perfect your craft and whether you were self-taught or took classes or had some other type of training, or whether you perhaps happened to discover your craft by accident or had an experience that shifted your focus from one type of craft/skill to another)?  

Collection of Lisl's red sea glass buttongs
Collection of Lisl’s red sea glass buttons

Lisl:  In the beginning I taught myself. Over the years I have taken a lot of jewelry classes. When I lived in Puerto Rico I went through several hurricanes and lost just about everything I owned during Hurricane Georges in 1998.  After that experience, along with living in an open air house in the tropics, made me yearn for things that did not rust or degrade. So my main focus in my art is to make very strong jewelry with unusually thick wire. I do not use anything that could degrade like plated metals, stringing materials or glue etc. I find that sea glass has an ancient beauty so I make jewelry that I imagine the ancients would have made with simple hand tools and thick wire. The wire methods I use were originated thousands of years ago by nomadic people that travelled the silk route. They did a lot with only a few tools. I strive to make jewelry that will still be around in a thousand years. It all comes from living in the tropics where things would rust, breakdown or mildew etc. right before your eyes.

NASGA:  Have you previously been (or are you currently) active in the association (have you had the opportunity to organize a festival, serve on the board, deliver a presentation, participate in educational-related events)?  

Lisl:  I have always devoted myself to the NASGA in some way whether it be in helping to organize the collectors area at the festival, serving on the board, moderating the Ning site etc. I have also lectured at some of the NASGA festivals.

NASGA:  How has your membership in NASGA benefited you professionally and/or personally?  

Lisl, Cindy and Linda during NASGA's Cape May festival in 2014
Lisl, Linda and Cindy during NASGA’s Cape May sea glass festival in 2014                                                Photo courtesy of Cindy Mullin

 

Lisl:  Being a NASGA member has benefitted me tremendously. I have made a lot of really good friends through the NASGA and have had a lot of good times at the festivals. Those of us that have sea glass businesses are always dealing with the hassles of those that present fake sea glass to the public as being real. I find the NASGA to be a sanctuary for those of us that work with authentic sea glass. NASGA protects the sea glass customer which is very important. There are still a lot of fakes out there but without the NASGA I think it would be a lot worse.

NASGA:  Is there a particular NASGA festival that stands out as your favorite (if the member has participated in several, or more than one), and can you a share a memorable experience associated with a previous NASGA festival (whether sentimental, humorous, ironic)?

Lisl:  The first NASGA festival I attended was in Lewes, Delaware years ago. That was where I first met other sea glass enthusiasts. That festival was the Woodstock of sea glass. It was really crowded. It was warfare, lol. I gave a lecture on Sunday and I was really nervous. I had never lectured before and decided to just go for it. My lecture was written on several pieces of paper. In the beginning I was so nervous that my voice was shaking. At some point I just decided what the heck and threw my notes up in the air and the audience really liked that. I relaxed and was able to give my lecture.

NASGA:  Do you have any specific plans or goals for your craft or business (new designs or objects you wish to create or perhaps a desire to expand your business or change directions when you have more time at some point)?  

Lisl:  Yes, I am always striving to make things that are primitive and ancient looking.

NASGA:  What are some of your other interests or hobbies?  

Lisl:  Yoga, nature, ecology and the ancient world.

NASGA:  Where can readers find out more about your craft or skill, and if applicable, access information about your upcoming events or festivals? Also, are readers welcome to contact you, and if so, what is the preferred method for them to reach you? 

Lisl:  On my website naturalseaglass.com 

NASGA:  How have you helped strengthen and support the NASGA Mission?

Lisl:  I do my best to participate in a broader sea glass community which is made up NASGA members as well as countless enthusiasts from all over the world through social networking. Social networking is an ideal modality for sea glass enthusiasts. There are various places on the internet where sea glass collectors congregate and empower each other. On any given day people are sharing information online with each other and helping to weed out the fakes. For those of us that have businesses I think it is important that we validate one another in terms of sea glass authenticity. This empowers the honest seller and helps protect consumers from getting ripped off.  While on the board I took on the task of organizing the collectors area for the festivals so there would be a display only component at the festivals. I have continued to help with this effort to some extent. Last year I helped the NASGA to create an informative card about the differences between real sea glass and artificial sea glass. After serving on the board, I know how much work it involves and how time consuming it is. So when asked by the NASGA to help,  I make it a point to say “Yes”, even if it is in only a small way. I think all members should keep in mind that NASGA is made up of volunteers and what little the rest of us can do to help makes a big difference in keeping NASGA and it’s mission going.

A collectors Interview – Lisa Crabtree – Florida

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Credited to fate (and possibly, in part to a “Peace, Love, and Sandy Feet” tee shirt I wore while boarding a bus in St. George), I was extremely fortunate to cross paths with Lisa Crabtree, our featured collector in this issue of Shorelines. A Florida resident with a deep passion for sea glass, Lisa introduced me to some prime collecting sites in Bermuda, and in turn, I introduced her to NASGA!
By Ellie Mercier, member,
North American Sea Glass Assocation

 

NASGA: Hello again Lisa! First, thank you for teaching me that a profitable beachcombing trip is not necessarily limited to returning home with an abundance of gems from the sea, yet if Mother Nature’s timing is especially ideal, an unexpected encounter with a fellow collector could blossom into a meaningful new friendship! Can you share the circumstances surrounding your discovery of sea glass?  I was fortunate to have met the “right person” at the “right time.” My boys had just moved out of the house, and I was experiencing the empty nest syndrome and desperately needed a hobby after work. One day, a newly hired coworker had on a piece of sea glass jewelry, and I had never seen anything so beautiful that wasn’t an actual gemstone. My co-worker shared that her boyfriend had found the shard while walking on our local beach, and he was kind enough to share his knowledge of how to find these gorgeous gems with me. Once I found my first piece, I was hooked. It was “hello new hobby,” and “bye-bye empty nest syndrome!”

 

green sea glass
Special Green sea glass

NASGA: Since beachcombing is an ideal form of therapy for those experiencing the “empty nest syndrome,” I have a strong suspicion that the timing of your newfound hobby was not a coincidence! Do you have a special piece you can share with us?   I actually have several favorites, but the one that stands out is a Kelley-green patterned piece that I found when my oldest and dearest friend, who was intent on learning how to hunt for sea glass, came into town for a quick visit. Despite the fact that the weather on this particular day happened to be rainy and windy and the tide was exceptionally high with rough surf, I was optimistic we would find a piece in the shade of green that my friend desired. Still empty handed as the end of our walk neared, a strong wave rolled in, and as I looked down at the edge of the surf, I eyed a green piece and screamed out, “Green!” However, when I dove in to grab it, I missed, and my friend, who had been watching me intently, followed the piece and was able to scoop it up. Ironically, not only was the sea glass in the shade of green she had hoped for but it was a beautifully tumbled and patterned piece. I believe that my girlfriend’s mother was our “sea glass angel” that day and sent the beautiful gem our way from heaven. It remains the only patterned piece I’ve spotted on my local beach and was an amazing first find for my girlfriend.

NASGA: What is your definition of an “ideal” find?   My absolute favorite color is turquoise. Although the hue is extremely uncommon, particularly in Florida, I do have one small piece of turquoise sea glass in my collection that I found locally.

NASGA: Is there a specific beach that you regularly frequent or do you generally comb in various areas?   I primarily search along Florida’s central east coast beaches and have been very lucky to find an array of sea glass in this region, including rare shades of black and yellow (as well as turquoise, of course)! I must comment that it requires a sharp eye to locate these beauties. Outside of Florida, I have combed on the Jersey shore and have had the opportunity to hunt in Bermuda twice last year (and my husband and I just made plans to return to Bermuda over the summer for a third visit)!

NASGA: Do you generally beachcomb alone, or do you have any designated “partners in crime” who accompany you on searches?   I comb with my husband the majority of the time, but lately, the activity has become a family affair. My youngest son, who never particularly enjoyed the beach, is now combing with us on a weekly basis. It’s the thrill of the hunt that brings us all together.

 NASGA: In addition to sea glass, do you scout the beaches for other nautical treasures?   My husband and I love to collect driftwood, buoys, and old lobster traps, many of which we find in the Keys. Some of these remnants have been repurposed into picture frames and yard art. One cool find was a piece of driftwood shaped like a whale.

NASGA: Aside from the obvious payoff of discovering nautical treasure, are there other benefits of the hobby that you revel in?   I revel in the simple beauty of the beach and everything it has to offer; it allows me to find peace, rejuvenate my soul, and occasionally, to find myself after getting lost from time to time in the daily shuffle of life.

NASGA: Your words of wisdom in response to the previous question beautifully capture some of the key advantages of the pastime! Do you have a memorable beachcombing experience you can share with us?   It would have to be the time I observed three baby sea turtles making their way to the ocean. If it were not for my new found love of beachcombing, I never would have witnessed this once-in-a-lifetime event since I used to spend my days ashore with my behind planted in a beach chair!

 NASGA: You mentioned previously that you create picture frames and yard art with your beach finds. Do you incorporate your discoveries into other projects and/or home décor as well?   This hobby has opened up many new doors for me and has especially allowed me to discover a creative side to myself that I never knew existed; I couldn’t be any happier. Most of my collected remnants are reserved for jewelry projects and shadow box art (yet it can be difficult to part with my creations since I develop a connection with each piece of sea glass I bring home). I also enjoy dividing my finds by color and displaying them in glass jars on windowsills throughout my home. Currently, my husband is working on a sea turtle mosaic with his Bermudan finds, so I am anxiously awaiting to see the finished project adorned on one of our walls!

NASGA: What are some of the beachcombing destinations included on your “bucket list”?   Many sea glass destinations remain on my “bucket list,” and I hope to cross them all off in this lifetime, but the beaches of Spain (where, as my intuition tells me, I would discover a nice sized shard of turquoise) absolutely top the list.

NASGA: Aside from collecting, what are some of your other interests or hobbies?  Before I discovered sea glass hunting, I enjoyed metal detecting, and although I never found anything of substantial monetary value, I did find an old matchbox helicopter buried in my yard that belonged to my son some twenty years earlier. Similar to sea glassing, those “thrill of the hunt” hobbies are what intrigue me the most. Every piece of found treasure tells a story.

NASGA: Many collectors would likely agree that the history associated with found remnants is certainly one of the main attractions of the pastime. To illustrate, for the past two decades, my Father and I have frequently combed along a specific section of the Chesapeake Bay, and every now and then, we discover a tiny, square, blue or maroon ceramic tile; not only do we continue to speculate about the original source of these tiles, but each time I happen to find such a specimen when combing alone, I immediately think about my Father and break into a smile, and vice versa. It is truly fascinating that a small, seemingly trivial, tangible object could represent a link to the past as well as initiate a connection between two individuals. Do you have any parting thoughts, or perhaps a helpful tip for fellow collectors?    Probably the most valuable advice is that I am often successful in finding rare shades of sea glass along the highest wrack line closest to the dunes, as some of the treasures that lay buried in the “sands of time” are eventually unearthed during high storm tides.

NASGA: Lisa, thank you for entertaining the sea glass community with your personal stories and wisdom and for pointing out that the pastime has allowed you to overcome the “Empty Nest Syndrome,’ which effectively demonstrates the intense passion and inspiration for the hobby shared by many collectors. And as always, “Peace, Love and Sandy Feet!”

 

 

 

 

 

 

 

 

 

Sea Glass Insulators: Intriguing, Illustrious Finds

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The History surrounding Sea Glass Insulators: Intriguing, Illustrious Finds
By Ellie Mercier, member North American Sea Glass Association

Discovering remnants of historical significance is certainly one of the most fascinating thrills of the hunt, and uncovering finds boasting the romantic charm of those derived from the bygone era of insulators is no exception.

Blue insulator
Blue insulator

The desirable attributes of insulators are not limited to beauty and nostalgic appeal, but the invention of these sought after collectibles was integral to the advancement of technology. During the nineteenth century, hopes for a promising future following the discovery of the telegraph began to fade when it became apparent that society lacked a viable means to transport electricity. However, attributed to the debut of the insulator in 1844, public faith in the innovative technology was soon restored. Originally produced from glass, in a variety of shapes, colors and sizes, insulators were installed on telegraph lines (and eventually, on telephone and power lines) to separate the wires from the tall wooden poles used to secure the lines in the air. Their purpose was to keep the wires isolated to allow electricity to pass through without interference. As technology progressed, particularly as the railroad expanded and electricity was required to operate train signals at stations throughout the nation, the demand for insulators skyrocketed, and hundreds of millions were manufactured between 1875 and 1930.

aqua insulator - a common color
aqua insulator – a common color

Alike bottles (and sea glass remnants), the majority of insulators were either colorless (clear) or produced in the shade of aqua (due to the fact that glass possesses a green tint in its natural state); however, glass insulators were fabricated in many other colors as well, including amber, cobalt, darker greens, and purple. Around the turn of the century, the onset of higher-voltage electric wires prompted a demand for ceramic insulators, of which offered more protection for wires than their glass counterparts. Ceramic insulators were also manufactured in multiple hues, ranging from yellows and greens to blues and browns. In addition, factories tested insulators of various shapes and sizes to develop models that would efficiently hold the electrical wires in place and ensure the wires remained insulated.

After an entire century of active production, the demand for insulators significantly declined as utility and electric companies began to install wires underground, and by the 1960’s, it was common to observe retired insulators, in an array of colors and styles, strewn on the ground in the vicinity of railroad tracks and construction sites. Not surprisingly, individuals began to seek out the charming, but no longer practical objects, prompting a flurry of passion for insulators that would ultimately inspire a generation of collectors and continue into the twenty-first century. In fact, the 1960’s onset of  “insulator fever” was so intense that by the end of the decade, pioneers of the hobby had founded The Crown Jewels of the Wire, the first national insulator magazine, and another major milestone transpired in 1973, with the establishment of the National Insulator Association.

Blue insulator sea glass - photo by Lisa Crabtree
Blue insulator sea glass –
photo credit Lisa Crabtree

 

As enthusiasm for the hobby continued into the 1990’s, the value of insulators skyrocketed, and it wasn’t unusual for rare specimens to fetch thousands of dollars at auction houses. For the most part, insulators manufactured between 1885 and 1960 are considered collectible, yet those produced prior to the turn of the century are the most desirable. Generally, collectors determine the values of insulators based on the same characteristics used to rate sea glass and bottle finds, including color, shape, condition, and the presence of, or lack of embossing. Since they were produced in 460 shapes, 2800 different embossing patterns, and almost 9000 color combinations, it often takes time to become familiar with the multiple varieties of insulators. Therefore, insulator price guides are an extremely helpful resource for novice and experienced collectors alike. The guides are not only ideal for identifying manufacturer marks and style numbers commonly embossed on insulators, yet they feature sections dedicated to topics such as foreign produced insulators, the countless styles of insulators (IE: pin type and non-pin type), and favored collectibles, including the beloved ‘Mickey Mouse” shape and highly prized examples comprised of carnival glass.

Insulator sea glass - photo by Lisa Crabtree
Insulator sea glass – photo by Lisa Crabtree

Today, support for the pastime remains strong, as reflected by the numerous clubs and shows that exist around the globe in celebration of the vintage beauties. In addition, hobbyists have access to dozens of insulator-related websites. Two particularly notable online presences include www.nia.org, hosted by the National Insulator Association, and www.insulators.info, a site referred to as “Insulator Collectors on the Net,” which has a following of 1500 members.

In addition to history buffs and railroad enthusiasts, it’s common to encounter sea glass and bottle collectors at insulator shows due to the fact that the pastimes share a direct connection to the history of glass manufacturing and the timeline of bottle production. Whether admiring a lustrous insulator made from carnival glass or discovering the smoothly tumbled remains of a cobalt insulator ashore, the experience is bound to arouse nostalgia for the romantic charm of an earlier