Richard LaMotte to host lecture during North American Sea Glass Festival in Ocean City, Maryland

Richard LaMotteRichard LaMotte will host a lecture “The Lure and Mysteries of Sea Glass” during the 11th Annual North American Sea Glass Festival in Ocean City, Maryland on Saturday, August 27th.  Richard  will share his knowledge and years  of experience on sea glass with you, accompanied by Celia Pearson’s beautiful images from his two books, Pure Sea Glass and The Lure of Sea Glass.  Richard plans to provide insight into the art of identifying unique shards and review the basic science of how sea glass is formed.  Learn why certain colors are so much harder to find than others and explore the history of sea glass.  Questions are encouraged as this lecture will serve to be a valuable exchange of information between Richard and anyone seeking to learn more about these vanishing gems.

The Lure of Sea Glass

A little bit about Richard and his latest book, The Lure of Sea Glass: Our Connection to Nature’s Gems.

Richard LaMotte, author of The Lure of Sea Glass: Our Connection to Nature’s Gems, is America’s leading authority on sea glass.  His new book, which focuses primarily on the emotional side of sea glass, was prompted by the many stories and anecdotes he has heard over the years from people who shared with him how much sea glass collecting has meant in their lives.

Since the publication of his first book, LaMotte has hosted or attended hundreds of events for sea glass collectors all over the nation.  At these events, sea glass aficionados have had an opportunity to view others’ collections and learn more about the sea glass phenomenon.  He is a former president of the North American Sea Glass Association, which annually holds a national festival for sea glass collectors and those interested in learning more about the subject.

The new book is a sequel to his classic, Pure Sea Glass: Discovering Nature’s Vanishing Gems, which was published in 2004.  That book, which has become the definitive book on the subject, helped spark the increasingly popular pastime of collecting treasures from the sea.  It earned first place in non-fiction from the Writer’s Digest 13th Annual International Self-Published Book Awards.  Since 2004, his company, Sea Glass Publishing, L.L.C., also has produced calendars, note cards, identification cards and other products featuring photographs and information about sea glass.

LaMotte and his family have collected more than 40,000 pieces of sea glass, much of it from the Chesapeake Bay, near their home in Chestertown, Maryland.

LaMotte has been interviewed in leading newspapers including The Washington Post, the Baltimore Sun, the New York Times and the Boston Globe.  His work also has been featured in magazines including Coastal Living, Parade and Delaware Beach Life.

North American Sea Glass Festival, Ocean City, Maryland

Sea Glass Soiree  Friday, August 26, 2016   5pm – 9pm

Sea Glass Festival  Saturday, August 27, 2016  9am – 6pm

www.seaglassassociation.org

 

A New Year and A New Calendar: Reserve a Date with Mother Nature

by Ellie Mercier

Photo from iloveshelling.com
Photo: iloveshelling.com

For an avid beachcomber, no day planner is complete without penciling in a few dates with Mother Nature (permanent ink is preferable). As stated in an article that appeared in a former edition of NASGA’s newsletter, Shorelines, “Ideal dates for beachcombing outings are often attributed to ‘being in the right place at the right time,’ yet enthusiasts do not have to depend solely on luck or chance to experience fruitful searches (Winter/Spring, 2013).

This article continues to focus on fluctuations in the usual volume of nautical remnants that wash ashore in a coastal area as the direct result of natural phenomena, notably recent storm activity, flooding, and the phase of the moon and state of the tide.

Tracking the phase of the moon and state of the tide, both independent of one another, as well as in unison, is not only valuable for determining potentially preferable times to beachcomb on a daily basis but can inform collectors of infrequent instances of natural phenomena that are particularly ideal for sea glass hunting. As most hobbyists are aware of, low tide, or the period when high tide begins to recede, up until the tide is at its lowest level, is much more desirable for beachcombing than during high tide, when turbulent waves pull the remnants deposited ashore back into the ocean.

Although the general difference in the magnitude of daily tides is often not particularly significant, the moon, which is the primary gravitational force that determines tidal conditions, reaches a perigee in each of its 28-day elliptical orbits, defined as the moon’s closest point of approach to the earth. At perigee, or on the specific day of each month in which the moon is closest to the earth, a heightened tidal range ensues, producing slightly more preferable conditions for beachcombing.

Additionally, twice per month, during the new moon and the full moon, the earth, sun and moon are nearly in line, a phenomenon referred to as a spring tide, which also produces an increase in the average range of tides. However, when the occurrence of a new or full moon (spring tide) coincides with the time of the month in which the moon is closest to the earth (perigee), an even greater impact on the tides results, known as a perigean spring tide, an uncommon incidence that transpires an average of three to four times annually (during the spring and fall months). Finally, and even more miraculous and infrequent than the occurrence of a perigean spring tide is the manifestation of a proxigean spring tide, a rare, unusually high tide. This very high tide results when a perigean spring tide coincides with the moon’s closest approach to the earth within an eighteenth month (or longer) period and may result in gravitational pulls so strong that the earth can experience extremely powerful high tides, often twenty to twenty-five percent higher than those that result from normal perigean spring tides (NOAA).

For those who wish to reserve a date with Mother Nature, the following charts list the dates of future perigean and proxigean spring tides through 2023 (again, using permanent ink is preferable)!

About three or four times a year, the new or full moon coincides closely in time with the perigee of the moon—the point when the moon is closest to the Earth. These occurrences are often called ‘perigean spring tides.’ The difference between ‘perigean spring tide’ and normal tidal ranges for all areas of the coast is small.  In most cases, the difference is only a couple of inches above normal spring tides.  Image and caption via NOAA.

*Tide charts compiled by Ellie Mercier, author of The Sea Glass Companion

Future Dates of Proxigean Spring Tides, 2016 – 2023*

Year  2016  2017  2018  2018  2019  2020  2021  2023
 Date Nov 14 May 26 Jan 01 Jul 13 Aug 30 Oct16 Dec 04 Jan 21
Moon** FULL NEW FULL NEW NEW NEW NEW NEW

**Conditions can be more intense during a new moon since both the Sun and the Moon are on the same side of the Earth, and with the Moon near its closest point to the Earth, the tide- making potential is highest.  Note that there are two scheduled for 2018 and none in 2022.

Future Dates of Perigean Spring Tides, 2016 – 2023* 

Year  2016 ***  2017 2018 2019 2020 2021 2022 2023
Date Nov 14 May 26

Dec 04

 

Jan 01

Jul 13

 

Feb 19

Aug 30

 

Mar 10

Apr 07

Oct 16

Dec.  04 Jun 14

Jul 13

 

Jan 21

 

 

 

***The full moon on November 14, 2016, will present the closest supermoon of the year (356,509 kilometers or 221,524 miles). What’s more, this November 14, 2016 full moon will present the moon at its closest point to Earth thus far in the 21st century (2001 to 2100), and the moon won’t come this close again until the full moon of November 25, 2034.   Information on November 14th moon via Earthsky.org

Find out more about Supermoons and Spring Tides in the coming year, visit Earthsky.org article for more info.

Visit NOAA for your area’s Tide Charts here.

Meet NASGA’s 2015 Sea Glass Festival Lecturer, Bill Winkler

The North American Sea Glass Association’s 10th Annual Sea Glass Festival in Ocean City, Maryland will be held August 29-30th, 2015 and will feature three lectures on Saturday.  Each of the lectures will offer attendees a unique look into the historical significance of objects found along the region’s DelMarVa shorelines, and we’ll also have a lecture on Greek Sea Glass.

winklerLGBill Winkler, with the Delaware Marine Archeological Society, will offer his knowledge of the local historical significance of sea glass and treasures, which can be found along the Delaware and Maryland beaches.

Bill has either spent time at the beach or lived by it almost his entire life. In the early 1950s his family vacationed in Dewey, Delaware, where they rented a cottage on Dickinson Street. That’s where his love for the ocean started. Since then, that love has taken him from coast to coast, provided Bill with a career and even a glimpse of a time when schooners either mastered the sea or were swallowed whole by it.

In ninth grade, a guidance counselor asked what career Bill wanted to pursue. He chose marine biology. He figured it would give him a chance to be by the ocean. That meant not being indoors—something Bill didn’t want to do if it would feel like the confinement of school.  Bill received his biology degree from the University of Hawaii in 1970, then continued in graduate school through 1973. He eventually left his studies to work for the airlines. My career included working for Island Air, Aloha and Western Airlines. By the time he left the islands, Bill had lived surrounded by the Pacific for a decade.

After Bill returned to the mainland, he migrated to the East Coast, where he made Pompano Beach, Florida, his home. Bill spent 17 years there fishing, surfing, scuba diving, treasure hunting for Mel Fisher and loving the beach life.

Yet Bill returned to Sussex County, just miles from where he had vacationed as a kid. Though Bill was a skilled diver, he had spent years working along Florida’s submerged barrier reef system, there was little demand for his services. So Bill ended up in the retail business with TreasureQuest Shoppe on Route 26, where he sells nautical decor and specializes in metal detectors, for treasure hunting.

Shipwrecks of Delmarva - art work by Robert Pratt, cartographer & research of the shipwreck locations with names & dates of sinking by Don Shomette. Of the 10,000 to 12,000 wrecks believed to lie on the sea floor, this is a one of a kind comprehensive representation.
Shipwrecks of Delmarva – art work by Robert Pratt, cartographer & research of the shipwreck locations with names & dates of sinking by Don Shomette.  Of the 10,000 to 12,000 wrecks believed to lie on the sea floor, this is a one of a kind comprehensive representation.

After years of selling metal detectors to people who discovered shipwreck artifacts on the beach, Bill and several friends founded the Delaware Marine Archaeological Society in 1997.

In 2002 the society completed the first maritime archeological survey in Delaware at no cost to the state. They focused on one 255-foot unidentified ship that was in the surf zone at Beach Plum Island. The fact that this boat remains anonymous is amazing, considering that it is one of the largest schooners built during its time. After years of work, we put together a 3-inch-thick report titled the “Beach Plum Island Project,” which details the architecture of the schooner. It includes VHS video, more than 300 photographs and plenty of drawings. Since the report was finished, much of the ship has been broken apart and scattered by waves, but at least part of her history has been documented.

Working in and out of the sea has taken Bill from the Atlantic to the Pacific, but now Bill finds himself on the same sandy shores he loved as a kid.  Bill finds himself at home along the Delaware beaches; although he still has the urge to seek adventure on an uninhabited island somewhere out in warmer waters.

Bill Winkler will feature a lecture, “The Historical Significance of Sea Glass & Treasures found along Delaware’s Coast” on Saturday at 11am during the North American Sea Glass Festival in Ocean City, Maryland on August, 29th – 30th.

“Meet the NASGA Members”- SeaGals Gallery of DE, Sue Lemmons and Cheryl Eashum

The North American Sea Glass Association (NASGA) has been working towards integrating NASGA‘s online presence, including the NASGA website, NASGA’s Facebook pages, the NASGA‘s NING social networking site, the Shorelines Newsletter, as well as our blog, to strengthen NASGA’s mission and increase NASGA’s presence within the sea glass community.

Each member of NASGA will have the opportunity to share their involvement with NASGA and the NASGA Mission, and “introduce” themselves as members of the North American Sea Glass Association. We’re calling this the “Meet the NASGA Members” blog series. We’re excited to share our next member with you.

Our next NASGA Members are Sue Lemmons and Cheryl Eashum from SeaGals Gallery of DE.  Sue answered the questions for the two of them.

NASGA:  How long have you been a member of NASGA?    

We are new members this year, but have been following the organization and related links and members’ sites for several years.

NASGA:  Can you share your “personal sea glass story” (how and when you became interested in sea glass)?

Cheryl and Sue of SeaGals Gallery of Delaware
Cheryl and Sue of SeaGals Gallery of Delaware

Our sea glass journey began long ago. As sisters, we have always been very close. We grew up camping and doing all the things that do along with that, including beachcombing.  Our jewelry boxes were full of fossils, beach stone and sea glass from the Delaware coast. Over the years, we continued our beachcombing and collecting beachy things. As these things began to pile up, my husband, a neat freak (a real challenge for an artist…), asked me one day to either get rid of the piles or use them. So, of course, I chose option number 2, and I used them!  We started with a lot of shell and beach stone art.  It was Cheryl who came up thought to wrap beach stones into pendants.  They were quite popular.  Then we thought about the sea glass we had been collecting forever, wrapped it and quickly learned that there was there was an entire sea glass culture out there. We were hooked and have been making jewelry and sea glass art ever since. Lucky for us, our families have been very supportive of our venture.

NASGA:  Please tell us about your particular craft and when you formed your business or began practicing your skill. (For members who create jewelry, the questions would, of course, differ from those who design mosaics or authors).

sea gals Eight years ago, I assisted a Girl Scout troop with arts and crafts, of which many were beach themed items we invented, such as shell ornaments, soaps, etc.  We decided to create a business badge, which would incorporate learning basic business and marketing skills by selling their items at a local craft show. When unexpectedly asked the name of our business, we impulsively replied “SeaGals Gallery”, since we were all girls. The items we had were a huge success, and although the girls were pitifully bored, that moment rekindled my deep-down desire to create.  The next year, my sister, Cheryl, joined in and together, we have cultivated and grown SeaGals Gallery of DE. Although we started with ornamental decorative type things, we moved into sea glass jewerly world six years ago- and now- cannot imagine life without it!

seagalsNASGA:  Are you also an avid sea glass collector (or do you solely enjoy working on your craft or skill), and are you partial to a certain type or color of sea glass?

We are absolutely committed to finding and using the glass in the state in which it is found.  We like to find the pieces with words, letters, and unusual shapes, and of course, all the different colors.  We also use pottery, fossils and still at times, pretty beach stones. Cheryl is very creative with pieces that have markings or patterns, using them as a background to create pendants with tiny artistic scenes.

NASGA:  If you are a collector, can you tell us about your collection and whether it may be difficult to part with some of your creations or incorporate your favorite pieces into projects?

We have quite an extensive collection, so we try to separate by color in organizers and jars. We have specific pieces that we are partial to and will probably never part with those pieces. These special pieces are the ones that we found on trips or were found by someone close to us and have sentimental value.  We also have jewelry that we made for ourselves that would be hard to part with, although we have sold jewelry right off our bodies before, at client’s insistence.  There was one piece that sold that way and although I was hesitant, I decided to do it, thinking I could make another for myself.  I haven’t been able to find the same elements since, so, I learned that lesson the hard way.

NASGA:  How has your craft evolved over time (how has experience helped you to perfect your craft and whether you were self-taught or took classes or had some other type of training, or whether you perhaps happened to discover your craft by accident or had an experience that shifted your focus from one type of craft/skill to another)?

Cheryl at annual pirate festival
Cheryl at annual pirate festival

As mentioned, Cheryl started out wrapping beach stones and fossils and then we incorporated sea glass.  We initially sold some really old sea glass & good colors for next to nothing!  I do wish I had kept the large lavender one from my ‘old jewelry box’ though, but we live and learn!  It is interesting to look at pictures of our original work and see how far we have come in technique and style.  We make unique pieces for women, kids and men, but we really enjoy making Pirate and Wench bling the most!

 

 

NASGA:  Have you previously been (or are you currently) active in the association (have you had the opportunity to organize a festival, serve on the board, deliver a presentation, participate in educational-related events)?  

seagalsWe have never organized a sea glass festival, but we have organized several craft shows, and it is truly a challenging experience.  Those who have never set one up, most likely have little idea of how difficult it is. We did host classes for the first time last year, at the request of group hosting a week-long event. We initially committed to one class for about 15 people.  These slots quickly filled during event registration, so we opened up a second class, both for 20 people and quickly filled all 40 slots. During the classes we discussed what genuine sea glass is, where if comes from and how to learn more from the NASGA website and the festivals.  These folks were from all over the country and several from other countries, so it was really fun to share our passion and see their creative sides unfold. During the 2 hour class, each person were able to wrap at least 2 pieces,  not all expertly, but enough to get a fair try with guidance. However, some were quite good at it and to see the pride of accomplishment from each attendee was very rewarding. One lady even went sea glassing while she was here in the one of the worst places for bugs, and we were so excited that she found glass.  She wrapped it and did a nice job.

NASGA:  How has your membership in NASGA benefited you professionally and/or personally?

Formal membership demonstrates commitment to the cause of preserving genuine sea glass.

NASGA:  Is there a particular NASGA festival that stands out as your favorite (if the member has participated in several, or more than one), and can you a share a memorable experience associated with a previous NASGA festival (whether sentimental, humorous, ironic)?

This year will be our first NASGA Sea Glass Festival, but we’ve participated in many over the past 6 years.   The first one in Lewes was most memorable. People loved our items, and we did very well. However, as the culture has grown, we’ve not been accepted into that show as often as we would have liked.

NASGA:  What are some of your other interests or hobbies? If you could learn another skill (does not need to be art related) what would it be?

Hobbies:  gardening, making jelly and canning. Other things I would do: Write mystery stories; rehab old houses, travel the world

Sue during craft festival
Sue during craft festival

NASGA:  Where can readers find out more about your craft or skill? Also, are readers welcome to contact you, and if so, what is the preferred method for them to reach you? 

We have a Facebook page and welcome contact via email seagalsgallery@ymail.com

 

NASGA:  What is your favorite beachcombing find?

I found a red marble very early on.  I sold it on an artsy seashell pin for $5.00.  Again, live and learn, right?  I’ve never found another.

NASGA:  How have you helped strengthen and support the NASGA Mission?

By continuing to get the message out to others that using genuine sea glass in natural state as found is true sea glass.  We also throw back any sea glass pieces that are not totally ready yet, to secure future sea glass finds.  Also, researching the history of found sea glass.

 

Meet NASGA’s 2015 Sea Glass Festival Lecturer, Christeena H. Minopetros

The North American Sea Glass Association’s 10th Annual Sea Glass Festival in Ocean City, Maryland will be held August 29-30th, 2015 and will feature three lectures on Saturday.  Each of the lectures will offer attendees a unique look into the historical significance of objects found along the region’s DelMarVa shorelines, and we’ll also have a lecture on Greek Sea Glass.

Christeena H. Minopetros will feature a lecture on Greek sea glass on Saturday at 3pm titled, “Greece and Her Islands, A Sea Glass Lover’s Dream”.  Join Christeena as she takes you on a sea glass journey through the Greek Islands. After spending the last 15 summers sailing and collecting sea glass in Greece, she will share her experiences, photos and maybe even some of her secret collecting sites.

Can you share what started your love of sea glass collecting and beach-combing?

Christeena's sea glass collection
Christeena’s sea glass collection

Some of my first memories are long summer days on the beach with my family in New Jersey. Shells, driftwood and sea glass were abundant back in those days, and we brought them home by the bucket full. Even though I did not work with sea glass professionally until many years later, I am sure that those magical days influenced my love of shorelines and beachcombing.

We know that you are from New Jersey and lived in Greece. Tell us a little about what took you to Greece and your early collecting experiences there?

The elusive sea glass marble
The elusive sea glass marble

I had a wonderful life in New Jersey. But after visiting Greece the first time on a sailing trip by myself for my 40th birthday, I fell in love with the country. One year later I sold everything including my flower shop that I had owned for 15 years and never looked back. Every night I would go to the beach to watch the sunset, I remember running my hand through the sand one night and finding sea glass, my aha moment. By the time I met my husband 5 months later my lovely little Greek veranda was filled with bowls, bottles and jars of the incredible gems.

As collectors ourselves, we know how exciting it is to find a special piece of sea glass, ceramic pottery or fossilized items. Do you have a special piece that you cherish more than others you’ve found? Describe the piece and historical significance, if applicable?

Sea Glass deck prism
Sea Glass deck prism found in NJ

This is a hard question because we have a massive unusual private collection. But many years ago on a bitter cold winter day in Point Pleasant Beach, New Jersey I spotted a small piece of clear/white sea glass peeking through the sand, and to my surprise it was this gorgeous deck prism. Used for centuries before electricity to radiate light below deck on sailing ships.

 

 

 

 

Is there a favorite beach that you like to frequent and refer to it as “your beach”?

Yes there is, and my hands start to shake as we approach it!  To call it a “beach” is a stretch, as it is really a cove between two mountains in the Greek Islands. The winds and currents bring what floats into the cove trapping the debris, delivering sea glass in abundance, making it a serious treasure trove for a sea glass collector.

You’ve traveled to many different places and walked many beaches during your travels. Where is your favorite place to collect?

Yes, I have been fortunate to have traveled many places in my life, but none have compared to beauty of the Greek Islands.

Do you have any beaches on your “Bucket list”?

Yes, my travel days are not over. Would love to visit the Amalfi Coast, Italy and Seaham, England but wherever we are we are always in search of sea glass.

Do you have a memorable beach-combing experience you can share with us? And what did you find?

One year my husband and I took six weeks and drove from from Los Angeles to Seattle Washington leaving the coast only when we were forced too. Treasure hunting on every beach and cove the whole way. At that time glass beach in California was not well known, so as you can imagine we were thrilled when we happened upon it, and my husband found a gorgeous diamond.  I thought about the poor woman that lost it…..

Aside from collecting and aside from your expert experiences, what are some of your other interests and hobbies?

Join Christeena as she takes you on a sea glass journey through the Greek Islands.
Join Christeena as she takes you on a sea glass journey through the Greek Islands.

Living in the Florida Keys has allowed me to acquire an amazing collection of orchids and other unusual plants that grow all year long, back to my floral designing days, I just love being surrounded by flowers. Sailing is a large part of our lives, nothing gives you the freedom and serenity of floating through the ocean…….

 

 

Christeena H. Minopetros will feature a lecture on Greek Sea Glass on Saturday at 3pm titled, “Greece and Her Islands, A Sea Glass Lover’s Dream” at the North American Sea Glass Festival in Ocean City, Maryland on August, 29th – 30th.

www.seaglassjewels.com